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Hyd Indian-SF Reading Circle
Sun Mar 29, 2:00 PM
Karthik Prasad
This event marks the second meeting of a new reading circle dedicated exclusively to Indian science fiction.
Founded with the aim of spotlighting the richness and diversity of speculative writing from India, the reading circle brings together readers interested in exploring how Indian authors imagine science, technology, history and the future.
Anyone interested to join our community can you use this link: https://chat.whatsapp.com/LPQMXSgLpLbCIMyqwfPN43
The discussion session will focus on Sultana's Dream and Padmarag, one of the first science-fiction utopian stories and one of the first feminist utopias by celebrated pioneering feminist, educator, activist, and Bengali writer Rokeya Sakhawat Hossain.
Sultana, a Muslim woman living in colonial India, falls asleep and wakes up in a transformed future world: a utopia in which men rather than women are relegated to the domestic sphere. Women, now free to explore the outside world at will and pursue an education, run a peaceful and just society, using scientific principles to harvest energy from the sun and live in harmony with nature. Sultana’s Dream was published in 1905 in the Indian Ladies Magazine, the first English language periodical edited by, and targeted at, Indian women. Like the periodical, the story broke new ground.
As a pioneering work of science fiction and feminist utopian literature at the turn of the century, Sultana’s Dream is strikingly advanced in its critique of patriarchy, war, industrialization, and the exploitation of the natural world, speaking to the concerns of our contemporary world as much as its own. At a time when British colonialism was using the treatment of women in India as justification for colonial intervention there, Hossain’s story, in imagining a world in which men rather than women are kept inside, positions her protest against Islamic patriarchy within a larger feminist vision that takes on Western as well as Islamic forms of gender hierarchy. Her novella Padmarag is similarly utopian in its depiction of a women-run school and welfare center, and is both feminist and anti-colonial in its outlook. In both these works, Hossain seizes the critique of gender roles in India away from Western commentators and turns it against British interference, while also enlarging the critique to take on the problem of gender more broadly.
Founded with the aim of spotlighting the richness and diversity of speculative writing from India, the reading circle brings together readers interested in exploring how Indian authors imagine science, technology, history and the future.
Anyone interested to join our community can you use this link: https://chat.whatsapp.com/LPQMXSgLpLbCIMyqwfPN43
The discussion session will focus on Sultana's Dream and Padmarag, one of the first science-fiction utopian stories and one of the first feminist utopias by celebrated pioneering feminist, educator, activist, and Bengali writer Rokeya Sakhawat Hossain.
Sultana, a Muslim woman living in colonial India, falls asleep and wakes up in a transformed future world: a utopia in which men rather than women are relegated to the domestic sphere. Women, now free to explore the outside world at will and pursue an education, run a peaceful and just society, using scientific principles to harvest energy from the sun and live in harmony with nature. Sultana’s Dream was published in 1905 in the Indian Ladies Magazine, the first English language periodical edited by, and targeted at, Indian women. Like the periodical, the story broke new ground.
As a pioneering work of science fiction and feminist utopian literature at the turn of the century, Sultana’s Dream is strikingly advanced in its critique of patriarchy, war, industrialization, and the exploitation of the natural world, speaking to the concerns of our contemporary world as much as its own. At a time when British colonialism was using the treatment of women in India as justification for colonial intervention there, Hossain’s story, in imagining a world in which men rather than women are kept inside, positions her protest against Islamic patriarchy within a larger feminist vision that takes on Western as well as Islamic forms of gender hierarchy. Her novella Padmarag is similarly utopian in its depiction of a women-run school and welfare center, and is both feminist and anti-colonial in its outlook. In both these works, Hossain seizes the critique of gender roles in India away from Western commentators and turns it against British interference, while also enlarging the critique to take on the problem of gender more broadly.