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7570
Celebrating François Truffaut
Wed Feb 22, 7:30 PM
Lamakaan
February is more than the love month. It is the month to remember and celebrate one of the founders of French New Wave Cinema, Francois Truffaut.
About: Francois Truffaut: François Roland Truffaut 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After more than 25 years of career, he remains an icon of the French film industry, having worked on over 25 films.
Truffaut's film The 400 Blows (1959) is a defining film of the French New Wave movement and has four sequels, Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), The Wild Child (1970), Two English Girls (1971), The Last Metro (1980), and The Woman Next Door (1981). He is also known for his supporting role in Steven Spielberg's science fiction film Close Encounters of the Third Kind (1977).
Truffaut also wrote the notable book Hitchcock/Truffaut (1966), which detailed his interviews with the film director Alfred Hitchcock during the 1960s.
Film Title: The Last Metro | 1980 | 131 minutes | French language subtitled in English |
The Last Metro (French: Le Dernier Métro) is a 1980 historical drama film, written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu.
Opening in 1942 during the German occupation of France, it follows the fortunes of a small theatre in the Montmartre area of Paris which keeps up passive resistance by maintaining its cultural integrity, despite censorship, antisemitism and material shortages, to emerge triumphant at the war's end. The title evokes two salient facts about city life under the Germans: fuel shortages led people to spend their evenings in theatres and other places of entertainment, but the curfew meant they had to catch the last Métro train home.
About: Francois Truffaut: François Roland Truffaut 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After more than 25 years of career, he remains an icon of the French film industry, having worked on over 25 films.
Truffaut's film The 400 Blows (1959) is a defining film of the French New Wave movement and has four sequels, Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), The Wild Child (1970), Two English Girls (1971), The Last Metro (1980), and The Woman Next Door (1981). He is also known for his supporting role in Steven Spielberg's science fiction film Close Encounters of the Third Kind (1977).
Truffaut also wrote the notable book Hitchcock/Truffaut (1966), which detailed his interviews with the film director Alfred Hitchcock during the 1960s.
Film Title: The Last Metro | 1980 | 131 minutes | French language subtitled in English |
The Last Metro (French: Le Dernier Métro) is a 1980 historical drama film, written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu.
Opening in 1942 during the German occupation of France, it follows the fortunes of a small theatre in the Montmartre area of Paris which keeps up passive resistance by maintaining its cultural integrity, despite censorship, antisemitism and material shortages, to emerge triumphant at the war's end. The title evokes two salient facts about city life under the Germans: fuel shortages led people to spend their evenings in theatres and other places of entertainment, but the curfew meant they had to catch the last Métro train home.