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Remembering Yasujirō Ozu
Wed Dec 11, 7:00 PM
Lamakaan
Yasujirō Ozu (12 December 1903 – 12 December 1963) was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in color in the early 1960s. Ozu first made a number of short comedies before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include Late Spring (1949), Tokyo Story (1953) and An Autumn Afternoon (1962).
Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 Sight & Sound poll, critics voted Ozu's Tokyo Story the third-greatest film of all time worldwide. In the same poll, Tokyo Story was voted the greatest film of all time by 358 directors and filmmakers worldwide.
Film Title: EARLY SPRING | 1956 | 144 Mins | Japan | Japenese Language with English Subtitles
About the film: Early Spring is a 1956 film by Yasujirō Ozu about a married salaryman (Ryō Ikebe) who escapes the monotony of married life and his work at a fire brick manufacturing company by beginning an affair with a fellow office worker (Keiko Kishi). The film also deals with the hardships of the salaryman lifestyle. "I wanted," Ozu said, "to portray what you might call the pathos of the white-collar life."
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!
Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 Sight & Sound poll, critics voted Ozu's Tokyo Story the third-greatest film of all time worldwide. In the same poll, Tokyo Story was voted the greatest film of all time by 358 directors and filmmakers worldwide.
Film Title: EARLY SPRING | 1956 | 144 Mins | Japan | Japenese Language with English Subtitles
About the film: Early Spring is a 1956 film by Yasujirō Ozu about a married salaryman (Ryō Ikebe) who escapes the monotony of married life and his work at a fire brick manufacturing company by beginning an affair with a fellow office worker (Keiko Kishi). The film also deals with the hardships of the salaryman lifestyle. "I wanted," Ozu said, "to portray what you might call the pathos of the white-collar life."
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!