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The water need in the city is massive, and the city extracts groundwater for the same. With depleting groundwater levels and fluctuating climate conditions, the method, with hands on practical knowledge, promises to go a long way to help mitigate water shortage and maintain the water balance by collecting rainfall for future usage.

Hyderabad, with its topographic and underground water specifics, also requires to look at this method a lot more carefully. Applied questions such as how rainwater harvesting should be practiced or where is it viable to practice rainwater harvesting, are best answered by practitioners engaged with this technology through years of experience. The Rainwater Harvesting Mela intends to demonstrate locally developed means and processes of water harvesting that people in and around the city of Hyderabad have been using. Through this mela, we hope to disseminate reliable knowledge to capture rainwater that not only recharge local aquifers in an arid zone, but also reduce urban flooding by integrating rainwater harvesting as an integral means for Hyderabad’s annual flood control.

Join us on 7th September 2019, Saturday, from 10.00 am onwards to know more about doable and practical rainwater harvesting from resource persons who will be available on site. Stay tuned to this page for more updates, from time to time !

Navayana and Lamakaan present

Aishwary Kumar’s

Public lecture: “Cruelty, Courage, and the Constitution: Ambedkar, Gandhi, and the Liberalisms of our Fear” Kumar will inscribe the question of political courage and its antithesis—political cruelty—at the heart of the relation between Ambedkar and Gandhi. Ambedkar returns to us today, he argues, because his constitutionalism offers a searing insight into the complexity of human fear that liberalisms of our time have decisively failed to examine.

followed by a conversation with K. Satyanarayana, Professor, EFLU

at Lamakaan Off-Road 1, Near GVK Mall Banjara Hills Hyderabad 500034 Ph 9642731329

to celebrate the launch of the Indian edition of Radical Equality Ambedkar, Gandhi and the Risk of Democracy

‘Kumar is a writer in whose company Ambedkar’s spectres make forceful utterances’—Kalyan Kumar Das in his Foreword

Indian classical music is the most ancient form of art in India. It’s surreal and sublime.The roots of the classical music of India are found in the Vedic literature and the ancient Natyashastra, the classic Sanskrit text on performance arts by Bharata Muni. There has been very rare and few occasions when Two different kind of classical musicians collaborated together on the same stage. This Ensemble project is one of those miraculous events in the history of classical music which we , the musicians try to infer upon. Let us take the opportunity to introduce a professional Classical,semiclassical Vocalist Pramith Ganguly and a Young Sarod Maestro Srinjoy Mukherjee. Pramith is a senior disciple of Shri.Kaushik Goswami (Disciple of Guru Pt.Ajoy Chakraborty) he’s a professionally and musically trained singer in the fields of Nazrul Geeti, Rabindra Sangeet, Atulprosadi and other forms of music namely Bhajan,Ghazal,Geet ,Bangla Kheyal Other Than Hindustani classical vocal. He’s coming to South India for concerts in the month of August With the very renounced and able young Sarod maestro Srinjoy Mukherjee who is a the master in his field and has immense knowledge in other sectors of music as well ,Srinjoy is the torch bearer of the Great Bangash Gharana . He’s an Able disciple of Ut. Amaan ali Bangash the son of the global sarod icon Ud.Amjad ali khan sahb. They are collaborating for a Cause of World Peace and Harmony.

Unmasked theatre productions present to you An Evening with Chekov. Two of Anton Chekov’s plays will be staged at 8pm on the 30th of August.

The first play, named The Seduction revolves around three characters. The protagonist (played by Utkarsh Singh), a single man who has a very peculiar hobby of seducing other men’s wives, reconnects with his old friend Nikhil (played by Nikhil Madhekar) and his lovely wife Reeta(played by Shilkha Agarwal) because he finds Reeta attractive. The play then shows the after effects of a neglected marriage. A genuine need for romance in reeta’s life. Nikhil’s hearfelt friendship towards Sumit and Sumit’s flawless seduction. How the protagonist uses this to his advantage is how the rest of this story plays out.

The second play named the surgery is laugh riot. Its two main characters, a dentist and a pastor come face to face when the Pastor has a root canal infection. How the dentist persuades the God fearing man into get his tooth removed is what makes up the rest of this rib tickling comedy.

Rohingya Refugees in Hyderabad

Expelled from Myanmar after a military genocide against the Rohingya Muslim minority, many thousands of Rohingyas fled to Bangladesh and India as stateless refugees. This panel will present a brief analysis of the Rohingya refugee crisis and the situation of Rohingya communities in Hyderabad. Drawing partly on their work in a refugee camp in the area of Balapur, panelists will discuss the refugees’ socioeconomic conditions as well as relate these to the broader context of democracy and human rights.

Lateef Mohammed Khan is general secretary of Civil Liberties Monitoring Committee (CLMC). For twenty years he has been a leader in the promotion of human rights in India and equal legal protection for minorities.

Dr. Rafath Seema is the head of Nisa Research and Resource Centre for Women, which works under Civil Liberties Monitoring Committee. She has been working with refugees in Hyderabad, providing education and humanitarian relief.

Z. Fareen Parvez is Associate Professor of Sociology at the University of Massachusetts, USA. She has conducted long-term research among Muslim minorities in India and France.

A genetically inferior man assumes the identity of a superior one in order to pursue his lifelong dream of space travel. Director: Andrew Niccol Writer: Andrew Niccol Stars: Ethan Hawke, Uma Thurman, Jude Law

SAPACC and Lamakaan are organizing a Panel Discussion on

What Hyderabadis can do at a local level to tackle Climate Crisis

on: 7 pm, Tuesday, 27 August

at: LaMakaan, Off Road 1, Near GVK Mall, Banjara Hills. Hyderabad 50003

Location on googlemaps: https://www.google.com/maps/! 1s0x0:0x93eb3b59aaa17977!8m2!

Panel: Dhiraj C. kaveri/Abhinandan Malhotra, Subhash Reddy, Anant Maringanti, Rambabu Intipanta/Ramanjaneyulu, GV, Dr. Sai Bhaskar N. Reddy & Sreekumar N

Chair: T Vijayendra

Introduction:Climate change is here! Like most mega cities on our planet Hyderabad also contributes to Global warming in a significant ways, which as we all know is a principal cause of climate crisis. As a result, on one hand, it has become unsustainable in many ways, on the other, it is also our responsibility to do something about it. We will take up air (bicycles and cars), rainwater harvesting, waste management, kitchen gardens and energy as topics. The panelists will give a brief introduction to what can be done and more importantly answer the crucial question why it has not been done so far!

Keep the climate, change the economy – A Panel Discussion

ALL ARE WELCOME!!!

Khayyam, one of the doyens of Indian Music especially the Indian Film Music left this mortal world on 19th August 2019 leaving us in sorrow and grief. While his music created waves his simple personality was loved by all the filmdom people. Khayyam has left his treasure of music for the current and future generations to relish.

Lamakaan invites all to an evening of Remembering Khayyam and his rich legacy and contribution to the Indian Music followed by a screening of Umrao Jaan (1981).

Pre and post-screening discussion shall happen. The discussion is moderated by Chaya Mohan Babu, Publisher and an ardent fan of Khayyam’s music and Indian Film Music in general.

About Khayyam: Mohammed Zahur “Khayyam” Hashmi, better known as Khayyam (18 February 1927 – 19 August 2019), was an Indian music director and background score composer whose career spanned six decades (1948–2007).

He won three Filmfare Awards for Best Music in 1977 for Kabhi Kabhie and 1982 for Umrao Jaan, and a lifetime achievement award in 2010. He was awarded the 2007 Sangeet Natak Akademi Award in Creative Music, by the Sangeet Natak Akademi, India’s National Academy of Music, Dance and Theatre. He was awarded the third-highest civilian honour, Padma Bhushan by the Government of India for 2011.

ALL ARE WELCOME!

Kabaddi, the Game of Partition is a period drama of the bloodiest time in Indian history. This play is a testament of the mass that was made to participate in one of the biggest political gambles ever. Sure; nations were divided, treaties were signed, tanks were loaded, and armies were deported. But what the people went through, is what has carried the legacy due. We have all read enough about Gandhi, Nehru, Jinnah, the commission, India and Pakistan; it is now time to relieve the madness as citizens of the country. The essence of the play thrives on just one question, did the independence really set us free?