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Greenpeace India invites you to be part of Climate Samvad, an initiative to address the issue of climate change, and how YOU can play a crucial role in mitigating it

Climate Change Impacts are already worsening. The United Nations Intergovernmental Panel on Climate Change (IPCC) landmark report SR15 warns we have only 12 years to limit climate change catastrophe.

CLIMATE SAMVAD or Climate Dialogue are series of 11 public events being organized by Greenpeace India across the country.

Come, be the part of Climate Samvad and understand from the speakers the gravity of the issue. Your importance and role in this movement. Beyond dialogue, it is a step towards a sustainable future. It is step towards #ClimateActionNow Check our website, www.greenpeaceindia.org for more details

Hilal Ahmed is Associate Professor and works on political Islam, Muslim modernities/ representation, and politics of symbols in South Asia. His book Muslim Political Discourse in Postcolonial India: Monuments, Memory, Contestation (Routledge 2014), looks at these thematic concerns to make sense of the nature of contemporary Muslim political discourse.

Nartana An Independent film Introduction Narthana is a one hour independent film directed by Varun sena Reddy, portrays the struggle of a 12 year old girl Narthana (named after dance) blossoming into a beautiful dancer. The major theme of the movie is to glorify Indian Classical Dance that is slowly degenerating and to allow every dancer understand that dance is nobody’s property; it is an ocean of nectar for everybody to drink from. Cast, Crew & Support Directed by: Varun Sena Reddy Produced by: Sandhya Pavan Story: Pavan Chegomma Music by: suresh prasad Cinematography : Sudhakar.A Edited by.Vekanteswarlu K Running Time: 59 min Language: Telugu Casting: Kalakrishna, Jamuna Rayalu, Pavan, Priyanka Bharde & Sree Nartana Film dedicated through: Vagdevi Arts Academy, Hyderabad Film production and release Supported by: Department of Language & Culture, Telangana Government Plot: The plot of the story revolves around a young girl named Narthana who is the daughter of a famous dancer parents, called Shiva Shankar & Padmini. Father, who himself is dancer affects his daughter’s creativity and interest in dancing by constantly deriding her desire to dance and become proficient in it. The girl, however, thrives in the dance form when she has to stay with her maternal grandparents for six months while her parents are away. Her grandfather Kala krishna who was once her father’s Guru (disowned by her father due to disagreement in beliefs about dance) trains her into a gracious dancer par excellence. It is finally proved that any genuine quality of Fine Arts like Dance is never under ownership of only a few…

Qutb Shahi Tombs: Heritage Restoration by Ratish Nanda, CEO, Aga Khan Trust for Culture

Heritage restoration is often a topic of heartbreak in Hyderabad. However, if there has been any visible change on that front, it is at the Qutb Shahi tombs, the royal necropolis where the Golconda kings and founders of Hyderabad were laid to rest. The ongoing work in the complex has been a much-needed respite from the usual apathy that Hyderabadis witness with regard to the city’s heritage.

Undertaken by the Telangana department of Archaeology and Museums and the Aga Khan Trust for Culture (AKTC) some years ago, the work at the Qutb Shahi tombs has brought about visible (and much needed) change and stability to the heritage monuments, some of which were in a precarious situation. Using archival imagines and artisans who were specifically brought to Hyderabad for this work, the structures have been revived by expert conservation architects. So how did they undertake this monumental task?

To understand that, and to throw light on the extensive work that has been taken up, we bring to you talk by the very person in charge of it all – Ratish Nanda, the CEO of the AKTC. Nanda, who has been with the AKTC for two decades, is also the man behind the restoration of (Mughal emperor) Babur’s tomb in Afghanistan. The AKTC has also taken up other major restoration works in the country like the Humayun’s tomb and the Sunder nursery in New Delhi.

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Nori Art and Puppetry Centre will be presenting- Puppet Tales of Wisddom.It is A Contemporary Puppet performance.Two Stories The Pious Cat and The Magic Shank will be performed with a variety of puppets,glove, rod, mouth and rod in an experimental bunraku style

From Ameer Khusro to Tagore: A Journey through the Syncretic Tradition of Indian Music

This is a presentation to remind ourselves as we pass through a difficult period of communal tensions and violence, about India’s history of syncretic culture. The people of India have lived in peace and harmony over the ages. Despite differences in religions, they have all contributed to building a very rich and composite culture, and this is beautifully reflected in our literature and music. This programme is a musical journey through India’s traditions of secular poetry & music, in a historical order beginning from the 13 the century to the present day. Most of the music is composed and sung by Dr Subhendu Ghosh and is based on Hindustani ragas or other musical forms including the traditional folk songs. The narrative includes the following poets – Hazrat Ameer Khusro, Kabir, Guru Nanak, Mian Taan Sen, Bulle Shah, Lalan Faqir, Nazeer Akbarabadi, Ram Prasad Bismil, Haribans Ray Bachchan, Faiz Ahmed Faiz and Rabindranath Tagore. This is a small effort to highlight the poetic genius of our Indian poets and pay our tribute to those who dedicated their lives for a Secular India.

The program will have a Poetry recitation by Laltu at the beginning of the event.

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Who’s singing over there?

Synopsis: n 1941 Yugoslavia, smooth young singer Pevac (Dragan Nikolic) joins a group of disparate and colorful characters on a bus destined for the capital, Belgrade. Among them is a grouchy World War I veteran, a Germanophile, a strange huntsman armed with a rifle, an athletic hypochondriac and a pair of gypsy musicians.

Ashadh Ka Ek Din is a Hindi play by Mohan Rakesh that debuted in 1958 and is considered the first Modern Hindi play.The title of the play derives from the second verse of the Sanskrit dramatist Kalidas’s play Meghadūta. It literally means A day in the month of Ashadh. Mohan Rakesh noted in the introduction to a subsequent play, King-swans of the waves, that, whenever he read Kalidas’ Meghdoot, he felt that the poet had distilled out his sense of acute guilt and alienation from his own being into that play, and that this realization is what motivated Mohan Rakesh’s writing of Ashadh ka ek din.The play received a Sangeet Natak Akademi Award for best play in 1959 and has been staged by several prominent directors to critical acclaim. This play explains the facts about time, the cost you have to pay for the oppourtunities given by time and the time doesn’t wait.

Balkan Express

Synopsis: Group of petty criminals is trying to make some money under the disguise of musical band in Nazi-occupied Serbia.

The promise of providing (to the youth especially) two crore jobs by the Bharatiya Janata Party-led Centre has now become a thorn in its flesh. And data pertaining to the unemployment rate was never published. While the Centre and BJP functionaries have made various claims of providing jobs, one man’s resignation in protest over the alleged withholding of the real statistics caused a furor earlier in January.

P.C. Mohanan would have been just another name on a long list of government officials, but the then acting chairman of the National Statistical Commission (NCS) took the decision to resign, later the unemployment data was leaked and published by a newspaper. It showed that at 6.1%, unemployment was at its highest in the last 45 years. To understand what exactly the Centre was not wanting to publish, and why Mr. Mohanan decided to resign, come join us for a talk and a Q&A session with the man himself at Lamakaan on Sunday, 7 April, at 730 pm. The former acting chairman of the NSC will explain the wider issues behind his resignation, and the employment data generation process in India and what the report would have meant for public discourse and why official data should be a public good.

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